Wednesday, April 27, 2011
As promised in an earlier post, here is a snippet process video of my Queen Elizabeth II painting on the iPad! Hope you have fun watching it.
In it I hope you see abit of the process I have to go through - it's not easy to come up with something with good design but also a good likeness. Once the strokes are estalished though, the rest is rendering.
I remembered to do this JUST as this thing called the Royal Wedding is heating up. Kate Middleton? Prince William? Something like that.
I feel British this week. We are ALL British! **Cough...**
Monday, April 18, 2011
The 31st Sketchcrawl was dedicated by Pixar's Enrico Casarosa to the victims of the recent Japanese earthquake and tsunami.
He also set up a Sketchcrawl fund with Give2Asia. So please give generously if you can.
The death toll from the earthquake and tsunami stands at 13,700 and even more are missing. It's sad to even think what the surviving are going through.
Not to put a downer on this blog, this is the Melbourne Sketchcrawl once again, and relatively speaking, the weather has been rather kind! In Melbourne terms, it's a miracle. Yes I'll even go as far as saying that.
For this special Sketchcrawl, I wanted to do something cool, so I figured I'd take the iPad out behind Federation square along the Yarra and began painting using the Brushes App. I lost my stylus so this is 100% left finger - It cramped after awhile.
These other sketches are from earlier in the day in a cafe and the outdoor area of Federation square where a month long comedy festival is happening. Lots of atmosphere and a great day to be drawing.
Monday, April 4, 2011
Don't know what's making me so incredibly nostalgic these days. Or somehow all these marketing 'anniversarys' coincide with my demographic. Curse them.
Anyway, this piece was done for CGHub's 2D Jam of Zelda's anniversary. The Dark World in 'Link to the Past' was the thing that jumped into my brain. Probably because I spent so long there running around not realising it actually had some relationship to the Light World. I'm reminiscing here and probably not making sense to anybody out there.
I tried to change up my workflow for this one. Colour palette was derived from a Richard Schmid painting that had a similar mood to what I wanted. I 'mosaiced' the image in Photoshop and mixed from there. It's NOT a Nori original idea - I read it somewhere in a magazine and thought I'd give it a shot. It's nice if you need to paint a feeling out there and remain gestural. The rest is drawing, really. However, now that I look at it, you can lose something using that technique and I probably wouldn't use it if I were going for a finished painting?
The other thing I tried to do was stay with a singular hard edge brush in Painter and work from large to small. That way I concentrated on the graphic shapes and how they worked in the overall composition. Bit of a puzzle, and still a challenge.
And here is the theme that sent shivers down my spine when I began working on this.